Translation made by Anglesina Est.
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Yes, the name conqueror suits him right! With his song “Fairytale”, which he introduced at May at the ESC, the whole Europe was captured within 3 minutes. Such a clear victory hasn't been taken by any other artist before!
Centaur: You arrived today from Minsk in Belarus to Berlin to rehearse for a TV show. You were born in Minsk, but you live near to Oslo since you were 4. Did you recognise your place of birth at all?
A.R.: I remember the park, the lake and the town. I still like it, today I think, it is even more beautiful. My family was not wealthy, rather poor. We lived in just a little apartment.
C: Do you still feel yourself in Minsk at home?
A.R.: A little, and I also speak Russian. But today I feel everywhere around Europe at home.
C: How does it come, that you came from there to Norway?
A.R.: My dad is a classical violinist and this time back he received an engagement from one orchestra in Norway. A wealthy norwegian family supported him at the beginning in overseas because he was very talented. My mother worked this time as a journalist at the television station in Minsk. 2 years later my dad brought us both over.
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C: You started already at the age 5 to practise piano and violine. Was it your own idea?
A.R.: No, not really. My parents wanted to find out if I was talented, and when they did find out, that I was indeed, they made me to practise, every day, 2-3 hours. It was quite cruel althoug I have to admit, they pushed me with understanding and love.
C: In the leaflet of your new CD “Fairytales” you thank your parents for pushing you so early and persistent to the training of classical music. You also write there, that at times you were very angry about it. If you look back today – do you believe, your parents had right to do so?
A.R.: I don't regret it. For me it was a normal childhood. If I would have parents, jumping around in the park in kangaroo costume, I would have considered it normal as well. Kids can't compare parents. Every family has it's own style and that was ours.
C: Did you have any time to play with other children, to make friends with your age?
A.R.: Yes, I did. But when I in age 9-10 found out, that other children never had to practise that much, I was quite furious. My parents attempted then to buy me with ice cream or gifts. At this time I rather would have becomed a football player. My dad, however, wanted to make a famous violinist out of me, maybe because he himself hadn't achieved it. He was very disappointed when he realized, that I hadn't the intent to practise my whole life long.
C: When did you make it clear to him?
A.R.: When I was 14 and my violine teacher told me to play a certain vibrato in this and no other way, I insisted doing it in my way. I quitted to obey to the authorities. My mother was really in schock. When I was 15, I refused to practise any longer. I simply didn't want anymore.
C: With that you were as a violinist lost for a classical profession?
A.R.: Serious music? This kind of genre thinking is not necessary for me. When I have a story to tell, it is already serious and it isnt marginal, if I use a serious or entertainment music to do it. A violinist can operate with his violine much more than just playing Mozart. It would be sad to limit oneself just to the serious subject. I am quite proud of myself that during that study of classical music I managed not to cut myself out of todays reality. At 17 I wrote my first pop songs.
C: Do your parents support you today in what you are doing?
A.R.: Of course! They are handling my success very proffessionally. When I am on tour, they don't write me long letters, but just now I received this SMS from my mother: good luck! My parents listen to me and take my plans seriously. I gladly let myself to councel from them and other people, but inwardly I know very well, what I want.
C: Do you like it, when you are considered as a prodigy child?
A.R.: Well, I am no child any longer.
C: In the age 23 you had this enormous success with winning the norwegian Melody Grand Prix and a few weeks later as a winner of ESC. You achieved almost 16% of all the votes. With a gap like that no one before have won. Is it a pure joy you feel about it, or does this early, almost worldwide success also feel as a burden?
A.R.: Laughing. It is exactly the amount of fame I wished for. I enjoy the ravishment of my fans and I feel very privileged. For example, when I go to the McDonalds, I get an ice-cream for free. But I don't feel forced to continue doing it like that. In couple of years I wish to live a more quiet life, not any longer on the stage, rather more to compose. Some artist, who have made it to the success very early, tend to continue for decades on the same track, as good as they can. But that would ruin my conception of myself, if I would try to remain forever this cute joyful guy, I am today. One has to quit while beeing really on the top. To compose, on the other hand, one can as long as one lives.
C: What would you like to compose?
A.R.: For a ESC with my “Fairytale” for a duration of 3 minutes I tried to write a song preferably as simple and clear as possible. I was inspired through Grand Prix winner of 70th with those simple melodies. In the long therm I would like to write some film score, to tell the story with the music and to go more deeper.
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C: You already had success as a violinist, as a singer, as an actor and as a componist. Is it possible to be equally good in each of those areas?
A.R.: At the moment I want to try out everything. To get really good, one has to concentrate 100% on what one is doing at the moment.
C: What are your short term plans for the future?
A.R.: What I really would like to do soon, is to sing jazz. My biggest luck is the success I had and I for what I am really thankful. A very few can afford it to go to a record company and to tell, let's make now an jazz disk. The fact, that I can afford it, makes me glad.


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